George Caleb Bingham | Fur Traders Descending the Missouri | American | The Metropolitan Museum of Art (2024)

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Crop your artwork: Scan your QR code: Artwork Details Learn more about this artwork Native Perspectives Timeline of Art History American Scenes of Everyday Life, 1840-1910 Industrialization and Conflict in America: 1840-1875 The United States and Canada, 1800-1900 A.D. Museum Publications A Walk Through The American Wing One Met. Many Worlds. The Metropolitan Museum of Art. Vol. 9, The United States of America The Metropolitan Museum of Art: Masterpiece Paintings The Metropolitan Museum of Art Guide (Spanish) The Metropolitan Museum of Art Guide (Russian) The Metropolitan Museum of Art Guide (Portuguese) The Metropolitan Museum of Art Guide (Korean) The Metropolitan Museum of Art Guide (Japanese) The Metropolitan Museum of Art Guide (Italian) The Metropolitan Museum of Art Guide (German) The Metropolitan Museum of Art Guide (French) The Metropolitan Museum of Art Guide (Chinese) The Metropolitan Museum of Art Guide (Arabic) The Metropolitan Museum of Art Guide The Metropolitan Museum of Art Guide The Metropolitan Museum of Art Guide Masterpieces of The Metropolitan Museum of Art Masterpieces of The Metropolitan Museum of Art Masterpieces of Painting in The Metropolitan Museum of Art Masterpieces of American Painting in The Metropolitan Museum of Art Guide to The Metropolitan Museum of Art Art and the Empire City: New York, 1825–1861 Art = Discovering Infinite Connections in Art History The American Wing at The Metropolitan Museum of Art The American Wing: A Guide American Stories: Paintings of Everyday Life, 1765–1915 American Paintings in The Metropolitan Museum of Art. Vol. 1, A Catalogue of Works by Artists Born by 1815 American Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 1, Painters Born by 1815 Related Artworks Stump Speaking Boatmen on the Missouri In a Quandary, or Mississippi Raftsmen at Cards The Jolly Flat-Boat Men The Hatch Family Resources for Research Feedback The American Wing at The Met FAQs

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George Caleb Bingham American

On view at The Met Fifth Avenue in Gallery 758

In the summer of 1845, Bingham returned to his St. Louis home from a winter stay in central Missouri, bringing with him several paintings and sketches. This was one of those works that he later sent to New York’s American Art-Union, a subscription-based organization that promoted American art nationally through exhibitions and the distribution of popular prints. Titled by the artist "French Trader & Half breed Son", the Art-Union changed it to the more generic and less controversial "Fur Traders Descending the Missouri". Bingham, who began his career as a portraitist, produced this distinctive genre painting with little precedent in his oeuvre. The tranquil scene, with its luminous atmosphere, idealized the American frontier for the benefit of an Eastern audience.

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George Caleb Bingham | Fur Traders Descending the Missouri | American | The Metropolitan Museum of Art (3)

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George Caleb Bingham | Fur Traders Descending the Missouri | American | The Metropolitan Museum of Art (4)

Artwork Details

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Title: Fur Traders Descending the Missouri

Artist: George Caleb Bingham (American, Augusta County, Virginia 1811–1879 Kansas City, Missouri)

Date: 1845

Culture: American

Medium: Oil on canvas

Dimensions: 29 x 36 1/2 in. (73.7 x 92.7 cm)

Credit Line: Morris K. Jesup Fund, 1933

Accession Number: 33.61

Learn more about this artwork

Native Perspectives

Contemporary Native artists and historians respond to eighteenth- and nineteenth-century Euro-American representations of Indigenous subjects in the American Wing's collection.

Timeline of Art History

Essay

American Scenes of Everyday Life, 1840-1910

Essay

Industrialization and Conflict in America: 1840-1875

Chronology

The United States and Canada, 1800-1900 A.D.

Museum Publications

A Walk Through The American Wing

One Met. Many Worlds.

The Metropolitan Museum of Art. Vol. 9, The United States of America

The Metropolitan Museum of Art: Masterpiece Paintings

The Metropolitan Museum of Art Guide (Spanish)

The Metropolitan Museum of Art Guide (Russian)

The Metropolitan Museum of Art Guide (Portuguese)

The Metropolitan Museum of Art Guide (Korean)

The Metropolitan Museum of Art Guide (Japanese)

The Metropolitan Museum of Art Guide (Italian)

The Metropolitan Museum of Art Guide (German)

The Metropolitan Museum of Art Guide (French)

The Metropolitan Museum of Art Guide (Chinese)

The Metropolitan Museum of Art Guide (Arabic)

The Metropolitan Museum of Art Guide

The Metropolitan Museum of Art Guide

The Metropolitan Museum of Art Guide

Masterpieces of The Metropolitan Museum of Art

Masterpieces of The Metropolitan Museum of Art

Masterpieces of Painting in The Metropolitan Museum of Art

Masterpieces of American Painting in The Metropolitan Museum of Art

Guide to The Metropolitan Museum of Art

Art and the Empire City: New York, 1825–1861

Art = Discovering Infinite Connections in Art History

The American Wing at The Metropolitan Museum of Art

The American Wing: A Guide

American Stories: Paintings of Everyday Life, 1765–1915

American Paintings in The Metropolitan Museum of Art. Vol. 1, A Catalogue of Works by Artists Born by 1815

American Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 1, Painters Born by 1815

See more

Related Artworks

  • All Related Artworks
  • In the same gallery
  • By George Caleb Bingham
  • The American Wing
  • Canvas
  • Oil
  • Paintings
  • From North and Central America
  • From United States
  • From A.D. 1800–1900

Stump Speaking

After George Caleb Bingham (American, Augusta County, Virginia 1811–1879 Kansas City, Missouri)

after 1856

Boatmen on the Missouri

George Caleb Bingham (American, Augusta County, Virginia 1811–1879 Kansas City, Missouri)

1846

In a Quandary, or Mississippi Raftsmen at Cards

George Caleb Bingham (American, Augusta County, Virginia 1811–1879 Kansas City, Missouri)

1851

The Jolly Flat-Boat Men

After George Caleb Bingham (American, Augusta County, Virginia 1811–1879 Kansas City, Missouri)

1846

The Hatch Family

Eastman Johnson (American, Lovell, Maine 1824–1906 New York)

1870–71

Resources for Research

The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.

The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.

The American Wing at The Met

The American Wing's ever-evolving collection comprises some 20,000 works by African American, Euro American, Native American, and Latin American artists, ranging from the colonial to early-modern period.

George Caleb Bingham | Fur Traders Descending the Missouri | American | The Metropolitan Museum of Art (2024)

FAQs

What is George Caleb Bingham famous for? ›

George Caleb Bingham (born March 20, 1811, Augusta county, Virginia, U.S.—died July 7, 1879, Kansas City, Missouri) was an American frontier painter noted for his landscapes, his portraits, and especially his representations of Midwestern river life.

How did George Caleb Bingham contribute to early American art responses? ›

Expert-Verified Answer. George Caleb contributed to early American art by painting realistic wild animals in their natural habitats to encourage settlers to be kind to animals.

What is George Walker famous for? ›

George Theophilus Walker (June 27, 1922 – August 23, 2018) was an American composer, pianist, and organist, who was the first African American to have won the Pulitzer Prize for Music. He received the Pulitzer for his work Lilacs in 1996.

Where is George Caleb Bingham buried? ›

Bingham died in Kansas City on July 7, 1879, and is buried at Union Cemetery in Kansas City.

Which artist is known for his famous depictions of life in America? ›

Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in capturing American life and landscapes through his art.

Who brought pop art to America? ›

series, this is considered the initial bearer of "pop art" and the first to display the word "pop". Amongst the early artists that shaped the pop art movement were Eduardo Paolozzi and Richard Hamilton in Britain, and Larry Rivers, Ray Johnson, Robert Rauschenberg and Jasper Johns among others in the United States.

Which three artists gave inspiration to the op art movement? ›

Origins of the Op Art movement

Escher, Victor Vasarely and Josef Albers experimented with what is now considered optical art.

Who was the American artist that contributed to the realism movement? ›

Edward Hopper (1882–1967) was a prominent American realist painter and printmaker. Hopper is the most modern of the American realists and the most contemporary. While most popularly known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching.

How did the Hudson River School painter contribute to early American art? ›

They were landscape painters that draw first with pencil before studio editing. They make use of creative art styles based on the American landscape itself. Therefore, the Hudson River school of painting contribute to early America by focusing on images in nature in the northeastern United States.

Who was the early American artist that wrote about the American wilderness? ›

As a young artist [Thomas] Cole roamed the Hudson River valley and the region around the Catskill and Adirondack mountains, making sketches of the shrubs, trees, rocks, and waterfalls that he later incorporated into his own imaginative compositions to depict the look and feel of America's wilderness.

How did the artists of the Hudson River School contribute to American nationalism? ›

An outgrowth of the Romantic movement, the Hudson River school was the first native school of painting in the United States; it was strongly nationalistic both in its proud celebration of the natural beauty of the American landscape and in the desire of its artists to become independent of European schools of painting.

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