Get ready to be blown away—Mumford & Sons and Hozier have joined forces once again, this time on the electrifying single ‘Rubber Band Man.’ But here’s where it gets controversial: Is this collaboration a match made in musical heaven, or are fans divided over the fusion of their distinct styles? Let’s dive in.
Following the rock band’s March release of Rushmere, their latest album, this new track feels like a natural evolution of their sound. Produced by Aaron Dessner of The National at Long Pond Studios in New York, ‘Rubber Band Man’ is a rollicking folk-rock anthem that showcases the dynamic vocal interplay between Marcus Mumford and Hozier. And this is the part most people miss: This isn’t their first rodeo together. Hozier has been a recurring collaborator with Mumford & Sons, from their 2017 cover of The Beatles’ ‘A Little Help From My Friends’ at the Longitude Festival to their 2023 performance of ‘Awake My Soul’ at Austin City Limits.
Speaking of Rushmere, the album itself is a milestone for the band. Recorded in Nashville, Savannah, and Mumford’s own studio in Devon, England, it marks their first release as a trio following Winston Marshall’s departure. Bold statement alert: Marshall’s exit, partly due to political differences with his bandmates, sparked debates among fans about the band’s future direction. Yet, Rushmere proves they’re still a force to be reckoned with.
Earlier this week, Mumford & Sons kept the surprises coming. During a Nashville show, they welcomed Lainey Wilson and Sierra Ferrell as special guests. Ferrell joined for a haunting cover of Townes Van Zandt’s ‘If I Needed You,’ while Wilson later delivered a one-mic duet of ‘Awake My Soul’ that left the crowd in awe. Thought-provoking question: Are these collaborations a sign of Mumford & Sons’ evolving identity, or are they simply experimenting with new sounds? Let us know in the comments—we’re all ears!
Whether you’re a die-hard fan or a casual listener, ‘Rubber Band Man’ is a must-listen. It’s a testament to the power of collaboration and a reminder that great music knows no bounds. So, what’s your take? Is this single a home run, or does it fall flat? The debate is open!
